Category: Fifth Edition

5e/Pathfinder/13th Age: Guide to Minions

In a previous post, I wrote up a guide to mini-bosses. The thing about mini-bosses, they’re nothing without those to boss around. Today we are following that post up with the group that makes the last group possible: minions.

Minions come in all shapes, sizes, and levels of willingness. While fantasy and science fiction races that are weak, selfish, and not particularly clever are typically seen as the normal minion groups, always remember the Empire in Star Wars treated Wookiees as minions and that species is anything but weak or selfish and Chewbacca proved they are quite clever. So what makes a minion a minion?

1) Minions are Controlled in Some Fashion

Whether it is a psychic link that takes over a mind or a security of a regular pay check, the mini-boss gives orders and the minion follows. That at the end of the day that is what makes a minion a minion. Does that make most of the civilized world someone’s minion? Yes actually it does. However, I am not advocating you overthrow your boss. Remember it is both the organization treats those minions as well as those outside the organization that determines whether the company is evil or not. A lumber company that hires orcs and hill giants as a way to give them honest work as opposed to raiding human villages, gets all the appropriate permits in an above board fashion, works with the local fey to remove select trees with their permission, and hires orcs to guard the logs on their way to the mill still uses minion even if those minions are working for a good company. Compare that with the human only lumber company that bribed officials to work a section of forest right next to the good company. They attack the fey and fight the hill giants and ogres whenever they leave the human permitted area and enter the other company’s territory prompting both to defend themselves and possibly attack back. Not only does the human company fail to plant new trees but they also try to steal the felled trees from the other lumber company. This company as well uses minions. The first one controls their people with a regular pay check and a desire to be law-abiding citizens; the second controls their minions through a desire for violence and quick cash.

While the word minion has negative connotations, it covers employee, freelance contractor, slave, indentured servant, thrall, and many others just to name a few. Use the full breadth of the term to give real variation to your organizations, evil or otherwise.

2) Minions Fill a Variety of Roles and Can Be Found at Every Level

Frequently, I hear the question, “Why doesn’t [insert name of ultra high level NPC in the setting] just take care of this minor problem?” The answer is simple: they can’t handle everything. Take a modern world variation of that problem: if you have a question on your taxes, do you go to the best accountant in the world or do you go to the local accounting firm and ask someone there (an accounting minion to use a gamified term)? The best in the world is busy handling other cases that can pay more. Instead, we get it handled by an accounting minion. Now if you start a business and it becomes rather sizable, you’ll need higher level accounting minions. You wouldn’t ask them to do plumbing work because they do not fill that role. You would need a minion that is trained in plumbing.

Same is true for fantasy games. Kobolds are the go-to minions when mining, gnolls when taking slaves, hobgoblins when needing military like precision, goblins for random violence, and orcs when slaughtering people indiscriminately. Each of these has their own role. So why not just have a higher level one handle this? Well the higher level hobgoblin is training the next group of recruits, the higher level gnolls are working their connections to sell their slaves, higher level kobolds are scouting out potential caves to mine, and on and on. The higher level ones have better uses for their time than to do the same thing as their lower level compatriots.

So when you get to a higher level, you need new minions to fight. Demons, devil’s, undead, and giants are the classics. Unless you are playing a convention/organized play-style game where one session has nothing to do with the other, these higher level minions are working towards the same end (if a different aspect of the overall plan) as those same low level minions. Why would the giants and devils be working towards the same ends as the kobolds and gnolls? The simple answer is ‘because the big boss of the whole campaign is all having them work towards a single goal.’ While you could train up a bunch of orcs to do your bidding instead of working with a number of different groups, it would be much simpler to take advantage of some other group of minions’ natural strengths when they lend themselves to solving a particular problem. Just like you don’t ask an accountant to do plumbing, you don’t ask a goblin to solve a problem that a requires patience and planning, things devils excel at. So change up the monsters you are using as minions to fulfill a different aspect of your big bad’s overall plan.

3) Minions Have Similar Stats, Despite Being Individuals

Minions are a collection of individuals. Each one has different stats if you wanted to take the time to create unique stats for each. However, minions can instead be represented by a single stat block. Sure, that single stat block is not going to catch the nuance of one loving to solve true crime mysteries while another appreciates listening to music, but if all you are having them do is fight the PCs, then those abilities don’t really matter. Making a minion stat block that presents average stats for a group saves considerable time.

Back to that accounting example for a second. All those accountants at the tax firm can be represented by a single stat block. You don’t need to assign stats for their individual hobbies and other life events unless it is somehow relevant. You’ll need their ability to crunch numbers and use their stapler offensively. Maybe wield a letter opener if you want to be cute about it. Remember these are supposed to be average stats for the group, not specific stats for everyone. Making a single stat block for the whole group doesn’t prevent you from making a single stat block for a specific accountant. So you can have a stat block for the NPC that discovered the company’s fraud and became the whistle blower. Had that NPC not done that and just stayed another face in the crowd, they would still be just another minion with the same minion stats. As always, the Order of the Stick has a great comic that exemplifies what it is like going from a minion to a named NPC.

Quick tangent here: feel free to change the stats of any monster in the monster books. If the book says a lizardfolk has 5 hit dice (as an example), feel free to make it 3 if it fits your needs that way. Five is just an average. Maybe this tribe is composed of young lizardfolk. Maybe they’ve been starved or are sickly. The book has average stats. Raise or lower them as your game needs. This goes doubly true for specific NPCs instead of minions. Individuals can vary widely from the average of their kind. Just remember to change its level of difficulty to match the new stats.

Speaking of monster books, be sure to download our monster books for Pathfinder 1e, DnD 5e, and Mongoose Traveller 2e.

0

Christmas in July Sale 2019

It’s the middle of summer. The temperature is murder. In about a month, it will be time for new role playing groups to form and for existing groups to get back together and roll some dice. So now is the time for you to grab some of the best PDFs on the market at 25% off their regular price over at DriveThruRPG. What better place to start than with Jon Brazer Enterprises’ Pathfinder, D&D 5e, 13th Age, and 1e Mongoose Traveller books. All the books you have been wanting are now on sale. Grab them now for this awesome price.

Traveller

All of our 1e Mongoose Traveller books are on sale. for 25% off. Grab the Vehicles of the Frontier, Mech Squadrons, Fighters and Small Ships, and of course the d66 Compendium. See all of our other 1e Mongoose Traveller RPG books we have for sale right here at DriveThruRPG. All of these books and more you can treat yourself to right now at a great price.

Fifth Edition

We have an awesome group of Deadly Delve adventures available for Fifth Edition for 25% off during the Christmas in July Sale. Check out our 1st level adventure Doom of the Sky Sword, 2nd level adventure Rescue from Tyrkaven 7th-8th level adventure Reign of Ruin, and 15th-18th level adventure Temple of Luminescence. Prefer to make your own adventures? Grab the Book of Beasts: Monsters of the Forbidden Woods. Are you a player? Grab the Book of Heroic Races: Player Races 1 and Player Races 2. Get all these and more for Fifth Edition.

Pathfinder 1e

Sticking with Pathfinder 1e? Here are some awesome options you shouldn’t pass up while they are on sale. Want to play a new race? Grab the Book of Heroic Races Compendium and the Advanced Compendium for even more options. Play a spellcaster? Check out the Book of Magic: Signature Spells 2, 7 Spellcaster Feats, Patron Hexes, Insurgency of Summer, and Pirate Spells. Need modules beyond the low levels? Check out the 9th level Deadly Delves adventure The Gilded Gauntlet, 11th level adventure The Chaosfire Incursion, 12th level adventure Nine Lives for Petane, and 16th level adventure The Dragon’s Dream. There is lots more for Pathfinder on sale now.

0

5e: Doombat

Writing monsters is a simple joy that I do not do enough. I really should since new monsters are at the core of the much delayed Book of Heroes: Conjurable Creatures. This book when it is finally finished and released is for any spellcaster that utilizes the various conjure spells in Fifth Edition. As such this book is perfect for druids, wizards, rangers and those that can use the spell list from one of these classes. Plus it doubles as a monster book for GMs.

We really love this book and know you will enjoy it as well, just as soon as we finish it up. In the meantime, here’s the doombat—one of the monsters from this book—that I recently wrote. Not only is it useful for GMs but it is perfect for a druid casting conjure fey as a 7th level spell. As you can see in the link, there are previous few options for that spell in that level range, which is something Book of Heroes: Conjurable Creatures aims to fix.

Doombat

Huge animal, neutral
Armor Class 15
Hit Points 171 (18d12 + 54)
Speed 10 ft., fly 40 ft.
STR 10 (+0) DEX 21 (+5) CON 16 (+3)
INT 5 (–3) WIS 14 (+2) CHA 6 (–2)
Skills Perception +5
Senses blindsight 120 ft., passive Perception 15
Languages —
Challenge 7 (2,900 XP)

Echolocation. While it can’t hear, the doombat has no blindsight.
Keen Hearing. The doombat has advantage on Wisdom (Perception) checks that rely on hearing.

Actions

Multiattack. The doombat makes three attacks: one bite and two wing buffet.
Bite. Melee Weapon Attack: +8 to hit, reach 5 ft., one target. Hit: 21 (3d10 + 5) piercing damage.
Wing Buffet. Melee Weapon Attack: +8 to hit, reach 5 ft., one target. Hit: 8 (1d6 + 5) bludgeoning damage.
Deafening Cry (Recharge 5–6). A doombat can unleash a scream that can cause any non-bats to recoil in pain. All non-bat creatures within a 30 feet radius that can hear takes a 45 (13d6) points of thunder damage and is deafened for the next minute. Any creatures that succeeds a DC 15 Constitution saving throw takes half damage and is not deafened.

Image by Nicole Cardiff

0

3 Keys to Reskinning an Adventure

Chaosfire Incursion

As I mentioned, my “office” game is Tales of the Yawning Portal. Previously, I talked about reasons to use published adventures and how to turn published modules into a campaign. Today I want to talk about keys to taking a published adventure and turning it into what you need for your campaign. This process is called reskinning and it is pretty easy.

1) Figure Out What to Keep

The single biggest reason to use a published adventure at all is to save time. So if you are not using a published adventure as written, you have to ask yourself why you’re not simply using a different adventure. Some reasons include you like the map, or the story, or perhaps some unique monster. These are the things about the original adventure you will want to keep in your reskinned final version of the adventure.

This will also tell you what about this adventure you need to change. If you simply do not like the map, then all you need to do is draw a different map and perhaps change the read aloud text to describe the vicinity. If the level of the adventure does not work for you, figure out if can you just increase or decrease some of the numbers in the monsters/difficulties to make it work? This works best if the level of adventure is only 3 or less levels away the character’s level. Any wider a gap and the designers probably did not anticipate the capabilities of the characters (whether in their favor or not) to be able to complete the adventure. If some of the monsters simply do not grab you, then it is time to use those creative skills you have in you and craft a new one. Alternatively, you could just a monster book and switch out the offending monster with a new one.

2) Add New Reasons to Go In

Changing the premise of the adventure is the easiest thing to do. If the adventure is at the right level, features enemies you want to pit against the characters, and has a map you like but the reasons the module has for going on the adventure don’t work for your campaign, change it to something that does work for you.

When you do that, make sure to add multiple reasons for the characters to go on the adventure. Players and their characters are not monolithic. Seeking out a treasure horde does not always excite them. Similarly, serving the good deity if goodness is not always proper motivation. Having a handful of reasons means that everyone can find something. These reasons should be a mix of long term campaign reasons and some reasons specific to this adventure.

3) Just Use the Encounters

If you want to be dramatic and essentially throw out the adventure, there are still parts of you you can keep. Namely, the monsters and their proportions (aka the encounters). By using the encounters, you know the battles are already balanced; the math is already worked out. All you have to do from there is focus on the map, the descriptions, the reasons to go in, and maybe make a monster more or less difficult. Translation: do everything above.

This works great when you have an adventure that takes place that doesn’t work for your campaign—such as a volcano like in Deadly Delves: The Chaosfire Incursion—and you want it to take place elsewhere, like in a magical glacier. Well you will need new maps and will need to rewrite all the flavor text. However, you can keep all the encounters, simply renaming the monsters and changing fire damage to cold and the …. well that is a spoiler for the adventure.

The real advantage of doing this is you save time on crafting your own adventure, but you save some by using whatever parts of the existing adventure work for you. Plus you have a template for how the story should flow, giving you a basis for your own version of the adventure.

Download all of Jon Brazer Enterprises’ adventures for 13th Age, Fifth Edition, and Pathfinder at the JBE Shop, DriveThruRPG, Paizo, and the Open Gaming Store.

0

3 Steps to Turn Published Adventures into a Campaign

As I mentioned last week, I am running an “office” game of Tales of the Yawning Portal. These are some really great adventures, but what they are not is a campaign. These are adventures that for all tense and purposes have nothing to do with each other except that one starts at a level where the previous left off. Beyond that, there is no connective story, no common set of NPCs to help make everything work together, nothing. It is exactly like running a campaign from a bunch of pre-published modules that you pulled off the shelf. So if you want to run a campaign with these kinds of modules, here’s what you have to do.

1) Make an NPC or Item Significant

The best example I can think of from this happening in fiction is the Ring from The Hobbit / The Lord of the Rings books. In The Hobbit book (not the movies), the ring was little more than a ring of invisibility. It wasn’t anything special. Then came The Lord of the Rings and that same ring now has a back story, one that will spell the end of the world as they knew it if it fell into the wrong hands. That is what you should do when running a campaign using pre-published adventures.

So what did I make significant? Well, I choose an NPC that they just rescued and an item they destroyed. Other than saving the NPC, their characters had no interaction with her. This particular Macguffin could just as easily have been a puppy. Because of spoilerific reasons to the first adventure that NPC was perfect to make significant. Not only that, the big bad of the first adventure used an item that the PCs ultimately destroyed. That item is perfect to be made important to the larger campaign.

2) Add in the Connection

This step is relatively small, but is critical. This, in The Lord of the Rings is where Gandalf found Bilbo’s behavior suspicious, went and researched the ring, and came back to tell Frodo what he found. Last week in my campaign, I had one of two NPCs that the PCs just rescued just up and died suddenly. So now the players have a reason to go on another adventure. What is that adventure? It is to follow the spread of the item encountered in the first adventure into adventure two. Like I said, the characters destroyed the item in the first adventure, but I added in that they found a note saying that another of that thing is elsewhere, and from examination of the body of the NPC, her fate appears tied to that item. That is the connection to the next adventure.

So what was my total work on making the connection: I wrote a note they found, and I added what amounted to a paragraph of box text. It was not hard at all. You might be thinking that that connection is not much. Let me point you to the TV show Supernatural. In the pilot episode, one of the brothers find’s his dad’s journal with some numbers in it. They figured that was a location and maybe dad would be there. Was he? No, but it got them from adventure 1 to adventure 2. Not only that, it established that finding dad as a connection between what would otherwise be random episodes in that first season. And that is what you are doing in this step: adding in those numbers in the journal or giving that ring a backstory. Those are not much either, but it is enough to get the PCs to go off on another adventure.

3) Make a Few Small Changes to the Adventure

Now I have to add in the impact of that connection to the existing adventure. How much does that change the adventure? Surprisingly little. Whenever they encounter an NPC that I already picked out, I have to add in the item. That’s it. From there, it is their call. Do they destroy the item again or do they bring it back? I can guess which way they are going to go, but I will wait for them to make that call and at that point I will adjust the reasons why they are going to adventure 3 accordingly.

Did you catch that important detail? “… the reasons why they are going…” not “… where they are going…” The latter requires changing the module from one to another; the former requires you to change the connection (see above) to the module you already have picked out. If I had said, “they must bring back the item,” some will balk feeling that it should be destroyed, and the reverse would also be true. By leaving the decision up to them, they feel like their decisions matter to the overall campaign. However, it does not impact what further adventures will be, only the motivation behind those adventures. And I can still run the adventure that I want to run, no matter what they decide.

So to recap, what changes am I making to the next adventure: adding in an item from a previous adventure to the next one and adding a connection to the following adventure based on the PCs actions. That’s it. This is not difficult and you can do this as well.

The perfect place to start is with our Deadly Delve adventures. Download our 5e, 13th Age, and Pathfinder adventures at the JBE Shop today so you can make your own campaign.

1

5e: Blightrat

More than anything, I am a monster designer. Give me a terrifying looking image and I will hand you back a full stat block and description to terrify your players and their characters with. This is something I love doing. Having been caught up with so much lately, I haven’t had the time to create the monsters that I enjoy. So now I am taking a few moments out of my take and converting over a high level monster we created for Pathfinder and making it for 5e. We hope you have as much fun with this monster in your game as I had making it. Just a reminder, this hasn’t been edited by my editors so it is not at our published level of awesome yet (because JBE’s editors make everything even more awesome).

Help us give you more monsters in our blog by downloading JBE’s 5e books at the JBE Shop.

Blightrat

Huge monstrosity, neutral evil
Armor Class 18 (natural armor)
Hit Points 189 (18d12 + 72)
Speed 50 ft., burrow 50 ft. climb 50 ft.
STR 18 (+4) DEX 17 (+3) CON 19 (+4)
INT 9 (–1) WIS 15 (+2) CHA 16 (+3)
Saving Throws Cha +8, Con +9
Skills Athletics +9, Perception +7
Damage Immunities acid, poison
Condition Immunities poisoned
Senses darkvision 60 ft., passive Perception 17
Languages understands Deep Speech but cannot speak
Challenge 15 (13,000 XP)

Actions

Multiattack. The blightrat makes three melee attacks: one bite and two claw.
Bite. Melee Weapon Attack: +9 to hit, reach 10 ft., one target. Hit: 17 (3d8 + 4) slashing damage. The target must succeed a DC 18 Constitution saving throw or become poisoned and take 21 (6d6) poison damage. The poisoned condition lasts until the disease is cured; clumps of hair fall out of the target until cured. Every 24 hours that elapses the target must repeat the saving throw, reducing its hit point maximum by 21 (4d6) on a failure. The disease is cured on a successful saving throw. The target died if the disease reduces its hit point maximum to 0. This reduction to the target’s hit point maximum last until the disease is cured.
Claw. Melee Weapon Attack: +9 to hit, reach 10 ft., one target. Hit: 22 (4d8 + 4) slashing damage.
Diseased Spit (Recharge 5–6). The blightrat unleashes a torrent of saliva and disease in a 30-foot line. Each creature in that line must make a DC 18 Dexterity saving throw, taking 27 (6d8) acid damage and 18 (4d8) poison damage on a failed save, or half as much damage on a successful one.
Even the drow know to stay away from a blightrat and the region where a full pox of these creatures nest. A blightrat is a nightmare for those that are prone to disease and value their hair, such as duergars and other dwarves, who think twice before facing a blightrat.
Highly aggressive and fiercely territorial, a blightrat will attack any creature that enters its territory unless the creature comes bearing tribute. Leaving a token of goodwill, such as moldy cheese or a mound of maggot-filled, spoiled meat about the size of a Medium creature, at the edge of the blightrat’s territory will often appease the creature. Blightrats also value gemstones and magic items, which they add to their hoards. Providing such gifts earns favor with a blightrat, paving the way for negotiations with it.
A blightrat stands 11 feet tall when on its hind legs and weighs about 3,000 pounds.

0

3 Reasons to Run Published Adventures

For the JBE “office” game, I run Tales of the Yawning Portal for the group. I mean, I can’t run anything that we ourselves published because we know each adventure so well. And honestly, who can pass up a collection of classic adventures. Last week, we finished up the first adventure, the Sunless Citadel, and it reminded me why I love running published adventures these days.

A little background: I use to never run published adventures. The first campaign I GMed was Exalted 1e. There was exactly 1 adventure for that entire edition. Not only that, I was able to make the campaign based in what characters the players made. I was 30 before I ran my first published adventure, and I don’t see myself going back to that anytime soon.

So if you create your own campaign, here are some reasons why you might want to consider checking out published adventures.

1) They Save Time

Oh my goodness do published adventures save time. The last campaign I ran that I created myself, I ran it on a Sunday, and I spent my entire Saturday prepping for it. I’d stat out every possible NPC they’d meet, even if it was only for a quick conversation because “you never knew what the PC’s were going to do.” I wrote mounds and mounds of read aloud text I never used. I’d read over source books in case they went off in some other direction I had not planned for or looking for some awesome treasure for them to get their hands on or … The list goes on.

When did I start prepping last week’s session? 20 minutes before we started. I don’t recommend doing that, but I was running late and work ate into my prep time. That right there is one of the biggest reasons why I use published adventures these days: because I no longer have the time to create an adventure for a specific group. The thing was, I still ran a good game. It would have been better if I had spent even an hour on it, but for such a short prep time, it was good.

Having said that, I still made the game unique. I rewrote the entire beginning. I added NPCs to the town. I created my own twists and turns. All of these modifications did take time—more than last week’s 20 min prep—but far less than the full day each session use to require. On the whole, I can run a great game at a fraction of the time required.

2) More Focused Characters

As any GM knows, players can do anything at any time. That is one of the things that make running a campaign so difficult—you have to be prepared for anything at any time. When I created my own campaign, I designed the adventures around the characters. Yet when I run a published campaign, the players make their characters around the adventures. Who is reacting to whom is reversed.

Think if it like this, if you let the players make whatever they want from any available source book, they will make characters that have little if anything to do with each other. Give them some direction and they will make characters around those ideas. Tell them you are running a specific campaign and they will make characters that fit that specific theme.

By giving them direction, you are channelling their creativity not hindering it, and you will get far less of the “the PCs can go any direction” that I talked about in the point above. A group where the players make characters without direction can result in an out of place character: three heroes, and a thief that wants nothing but violence and money, as an example. Then as the GM it is your job to figure a way to make them work together. Instead if you tell the players you are running a campaign where isolated villages are being attacked and you’re helping them, like in our adventures Deadly Delves: Along Came a Spider and Rescue from Trykaven (available for Pathfinder and 5e), then the players will all be thinking about how the character they want to play fits in the adventure.

3) You’re Creating a Shared Experience

By running a published adventure, you are giving your fellow gamers an experience that they can talk about with their fellow gamers that other gamers can bond over. Look at it another way: adventures are stories. One crafted for a specific group is the campfire story while the published adventure is the novel or movie. How many times have each of us bonded with someone we just met while talking about a Marvel movie? The campfire stories, the only way I have found to bond with someone about that is to repeat that same story; bumping into someone that knows that exact same story has yet to happen for me.

So when we go to conventions, having played a published adventure is giving us something in common with someone we never met before. That is another opportunity to make friends and play new campaigns.

So do you prefer to run your own campaigns or do you run published adventures? Leave your thoughts in the comments below.

Looking for some awesome adventure? Our Deadly Delves line of adventures provides you with game sessions that your players will remember. On top of that, they are designed for busy GMs like you and me. Download our 5e, 13th Age, and Pathfinder adventures at the JBE Shop today.

1

5e: Designing Warlock Patrons

With the impending release of Book of Heroes: Heroic Fighter Archetypes, I am setting up the framework for the next few installments. One if them is warlocks, because I love warlocks. It’s a solid class mechanically, and it has a back story built right in. My first 5e character (post playtest) was a warlock—Sir Tim von Daggerdale. He’s fun. I haven’t played him in years, but I enjoyed the fun times I had with him.

From the point of view of the in-game characters that choose to be a warlock, let’s moment and analyze the biggest choice for the character: the otherworldly patron. The PHB has 3 in there: the Fiend and let’s just call them Fey and Great Old One. Specifically, I am only looking at flavor reasons why a character would choose to make a deal with these; I’m not looking at the game mechanics.

Warlock

First just being a warlock means a number of things. You made a deal with a being for power. So you lacked the patience to study to become a wizard, the innate ability to become a sorcerer, the faith and devotion of a cleric or a paladin or any of the other prerequisites for the other classes. This deal is or power plain and simple. Without that deal you believe you would be simply average. The real question is, “Is that true or is the deal holding you back from what you are meant to be?”

Fiend

The deal you make with a fiend is never what you expect. Even if you think you found all the loop holes, you haven’t. This deal always benefits the fiend far more than it benefits you. So what does it say about a person that reaches out to a demon or a devil for power? It could say you are ambitious and are willing to make sacrifices to see that ambition come to fruition. It could say you desire to rule over others, stopping conflicts by making others see what is obvious to you. One could even choose the fiend pact out of a desire to preserve life, believing that taking such power is required to make others hear what you have to say. No matter what the reason, choosing the fiend pact is a far more complex option than simply believing that the devils have it right.

Fey

Harry Dresden made a deal with Queen Mab for power after he broke his back. She pursued him for a long time but it refused until he felt he had no option left except a deal with her. So what does it say about him and–back to the main topic–any character that makes a deal with Mab or some other great and powerful fey? First off unlike the other two you stand for life. Fiends and Cthulhu want the character’s soul (or the souls of others) while fey promote the natural world. So if you choose the Fey as your patron, you promote life not death. You may promote the life of animals and other non-intelligent creatures over humans but it is still life. You may find something appealing about civilization becoming a less potent force in the world. Perhaps you just enjoy being a force for chaos or a trickster.

Great Old One

While the cultist that is a true believer and wants to see the world end in fire or drown in water is the stereotype, it is far from the only kind of character that would make a deal with a Great Old One. I prefer a passage from the Roger Zelazny book A Night in the Lonesome October.

“I hunted rats and ate out of dustbins and saw my kittens killed and was hung by my tail and abused by wicked urchins,” Graymalk said suddenly, “before the mistress found me. She was an orphan who’d lived on the streets. Her life had been even worse.”

Here, Greymalk the cat is telling Snuff the dog why they support opening the gate and the Great Old Ones destroying the world. Greymalk and her mistress had terrible lives and the two want their own pain to stop, want the pain for others in their situation to stop and to make all those that inflict such pain to pay for their crimes. While a character in a 5e game might not want to go to such lengths, those in a position to be recruited by a Great Old One frequently have had something bad happen to them and it stayed bad for a very long time. Someone who has made a deal with an otherworldly being that wants to destroy the world wants to lash out, particularly at anyone causing pain. Those who take the power offered by Cthulhu and others of his kind may very well be good people willing to do bad things to bad people because of the pain inflicted upon them. So what does a deal with a Great Old One say about your warlock, that you’ve been hurt. Hurt quite a bit.

What do you think? Tell us in the comments below.

Help us produce more great articles like this by downloading our 5e PDFs like the Book of Magic: 10 Warlock Invocations at the JBE Shop, the Open Gaming Store, and DriveThruRPG.

0

5e: Amazing Archetypes for Fighters

Book of Heroes: Heroic Fighter Archetypes DnD5e

Weapon Masters and Martial Champions

Other adventurers sometimes consider fighters to be nothing more than dumb brutes—prove them wrong with this supplement! Build a fighter with enough new tricks to make your rogue jealous, and employ tactics no barbarian can comprehend. Mix magic with your martial prowess, and become a knight of wits.

Inside the 16 pages of Book of Heroes: Heroic Fighter Archetypes, you will find:

  • The Pact-Bound Sword, who deals with an otherworldly patron in exchange for warlock-like powers
  • The Shieldbearer, who deflects mighty blows with a shield and wields it like a weapon
  • The Tainted Soul, whose knowledge of their fate in the afterlife drives them to oppose evil at any cost
  • And many more!

Be the Hero You’ve Always Known You Are With These Awesome Character Options Today.

Download Book of Heroes: Heroic Fighter Archetypes today at the JBE Shop, DriveThruRPG, Paizo, and soon the Open Gaming Store.

0

Powered by WordPress.com.

Up ↑